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Paul Gauguin Where do we come from (mk07) oil painting


Where do we come from (mk07)
Painting ID::  20556
Paul Gauguin
Where do we come from (mk07)
Painted in 1897 Whole picture 55 1/2x1481/4"(141x376cm) Museum of Fine Arts. Boston

   
   
     

Paul Gauguin What are we (mk07) oil painting


What are we (mk07)
Painting ID::  20559
Paul Gauguin
What are we (mk07)
Whole picture 55 1/2x148 1/4(141x376cm) Museum of Fine Arts, Boston

   
   
     

Paul Gauguin Where are we going (mk07) oil painting


Where are we going (mk07)
Painting ID::  20561
Paul Gauguin
Where are we going (mk07)
Whole picture 55 1/2x148 1/4(141x376cm) Museum of Fine Arts. Boston

   
   
     

Paul Gauguin Riders on the Beach (mk07) oil painting


Riders on the Beach (mk07)
Painting ID::  20563
Paul Gauguin
Riders on the Beach (mk07)
29 1/2x36 1/2(75x93cm) Collectin Stavros Niarchos

   
   
     

Paul Gauguin The Seine at the Pont d'lena,Snowy Weathe (mk07) oil painting


The Seine at the Pont d'lena,Snowy Weathe (mk07)
Painting ID::  20755
Paul Gauguin
The Seine at the Pont d'lena,Snowy Weathe (mk07)
1875 2' 1 1/2"x3 (65x92.5cm)Bequest of Paul Jamot,

   
   
     

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     Paul Gauguin
     French 1848-1903 Paul Gauguin Art Locations (born June 7, 1848, Paris, France ?? died May 8, 1903, Atuona, Hiva Oa, Marquesas Islands, French Polynesia) French painter, sculptor, and printmaker. He spent his childhood in Lima (his mother was a Peruvian Creole). From c. 1872 to 1883 he was a successful stockbroker in Paris. He met Camille Pissarro about 1875, and he exhibited several times with the Impressionists. Disillusioned with bourgeois materialism, in 1886 he moved to Pont-Aven, Brittany, where he became the central figure of a group of artists known as the Pont-Aven school. Gauguin coined the term Synthetism to describe his style during this period, referring to the synthesis of his paintings formal elements with the idea or emotion they conveyed. Late in October 1888 Gauguin traveled to Arles, in the south of France, to stay with Vincent van Gogh. The style of the two men work from this period has been classified as Post-Impressionist because it shows an individual, personal development of Impressionism use of colour, brushstroke, and nontraditional subject matter. Increasingly focused on rejecting the materialism of contemporary culture in favour of a more spiritual, unfettered lifestyle, in 1891 he moved to Tahiti. His works became open protests against materialism. He was an influential innovator; Fauvism owed much to his use of colour, and he inspired Pablo Picasso and the development of Cubism.

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